2020 “Bodegón”
for 4 performers and objects-instruments (fl. cl. vln. vc.) Commisioned by OCAZ Enigma for their XXV Season. Premiered March, the 2nd. Sala Galve, Auditorium of Zaragoza, Spain.
2019 “De la casa grande”
Theatre-piece for Mezzosoprano, alto sax, percussion and tape. EPOS Lab 2019 Residence with Marta Knörr, Andrés Gomis, Eloy Lurueña and Raúl Marcos as scene director. Premiered, December the 22nd. Conde Duque, Madrid.
2019 “—T—SchB—K(o)”
for 2 amplified percussionists and set on both percussionists. Commisioned by I ARA QUÈ? Festival in Manises and Neopercusión. Premiered September the 29th in Manises; then payed in Fundación Juan March (October 2019) and Centro cultural Galileo (November 2019)
2019 ‘What are Masterpieces and why…?’
Theatre-piece for soprano, tenor, baritone and bass. Festival Archipelles 2019, Geneve. Neue Vocalsolisten Stuttgart.
2018 ‘Una concavidad de silencio’
Theatrical piece for soprano, fl, tbn, perc, accor, vla. Festival After Cage V. Premiered October the 23rd, 2018. Teatro Gayarre, Pamplona, Spain
2018 ‘Give me another horse’
for alto recorder and voice. Composed for Sarah Jeffery. Premiered October the 14th, 2018. Kunsten, Aarhus, Denmark
2018 ‘I felt a funeral, in my brain’
for lyric soprano, coloratura soprano and mezzosoprano. Composed for Neue Vocalsolisten Stuttgart. Premiered July the 29th, 2018. LAC, Lugano.
2018 ‘Luz en las paredes de casas viejas, en junio’
for fl, tenor sax, pno, db (solo tuning). Composed for ensemble Il Suono Giallo as part of IlSuono academy 2018. Premiered July the 22th, 2018. Teatro Comunale degli Illuminati, Città di Castello, Italy.
2018 ‘Bajo la luz quemada’
for Flute, Oboe, Clarinet in Bb (Bass. Cl.), Piano, Violin, Viola, Cello and narrator. Based in Luis García Montero eponymus poem. Commisioned by OCAZEnigma. The premiere took place in April the 9th, 2018. Sala Luis Galve, Auditorium of Zaragoza, Spain
2017 ‘Own Anthem’ for oboe and electronics
Composed for Pilar Fontalba. Premiered Novemeber the 3rd, 2017. Kunsten, Aarhus, Denmark
2017 ‘Champ vide’ for Orchestra
Premiered March the 26th, 2017. Alhambra Hall, Geneva. Archipel Festival
2016 ‘Shapes on background’ for flute, viola and cello
Premiered September the 15th, 2016. Neumünster Abbey, Luxembourg
2015 ‘Espacios (luces) del inconsciente’ for Orchestra
Premiered June the 12th, 2015. Eduardo del Pueyo, Zaragoza, Spain
2015 ‘Quebranto IV: Estratos de tiempo’ for solo Accordion
First performance May the 4th, 2015. Eduardo del Pueyo, Zaragoza, Spain
2015 ‘Noche oscura’ (collective piece: Cánovas – Cerezo Dávila – García Planells – Jiménez Tamame – Ortiz Serrano)
for Flute, Oboe, Clarinet in Bb (Bass. Cl.), Horn, Piano, Violin, Viola, Cello, Double Bass and narrator. Based in san Juan de la Cruz’s poem ‘Noche oscura del alma’. Commisioned by OCAZEnigma. The premiere took place in April, 2015. Sala Luis Galve, Auditorium of Zaragoza, Spain
2015 ‘Despojos’ for Flute, Tenor Recorder, Clarinet in B flat, Tenor Saxophone, Tuba, Harp, Piano, Harpsichord and Bandurria.
First performance February the 24th, 2015. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2014 ‘Time is not divided’ for Sakuhachi, Oboe, Bass clarinet in B flat, Sheng, Oud, Tar, Pipa, Qanun, Santur, Harp, Erhu, Kamança, Viola, Cello and Double Bass
Composed for the Atlas Ensemble during the Atlas Academy 2014
2014 ‘Retrato discontinuo’ for Flute, Oboe (Cor. An.), Bass clarinet in B flat, Horn, Trumpet, Trombone, Piano, Accordion, Percussion (x2), Violin I, Violin II, Viola, Cello, Double Bass
First performance May the 5th, 2014. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2014 ‘Quebranto III: Colores primarios’ for Flute, Clarinet in Bb (Bass. Cl.), Harp, Violin I, Violin II, Viola, Cello
Commisioned by OCAZEnigma. The premiere took place in Frebruary, 2014. Sala Luis Galve, Auditorium of Zaragoza, Spain
2013 ‘Quebranto II: ventanas al silencio’ for Tenor Sax and Piano
Composed for Duo Sincronía. First performance November the 22th, 2013. Manuel de Falla Conservatory, Seville, Spain.
2013 ‘Introspección’ for Soprano, Oboe, Bass Clarinet, Tenor Sax and Percussion
Composed during the 24th Composition Session in Royaumont Abbey, France. Premiered September 2013 for the Namascae Lemanic Modern Ensemble and Angèle Chemin, conducted by Azis Sadikovich
2013 ‘No fear’ for Oboe, Bass clarinet in Bb, Sho, Pipa, Qanun, Violin and Percussion
Composed for Atlas Ensemble and Vertixe Sonora Ensemble. Premiered June 2013 in Santiago de Compostela, Spain, during the festival SonUTopias. Played again in December 2013 in Muziekgebouw aan ‘t IJ Amsterdam
2013 ‘Beating colours’ for Oboe, Bass clarinet in B flat, Tube and electronics.
First performance June the 5th, 2013. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2013 ‘Todo’ for Stringquartet
2013 ‘Trio’: Scene of the Chamber Opera ‘Resucita Loto’ for Wind Quintet, viola, violoncello, contrabass and percussion.
Opera based in Ginés Liébana’s eponymus libretto and composed among all the composers currently studying in the CSMA. First performance March the 19th, 2013. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2013 ‘Álamo gris’ for Recorder (sopranino and tenor), harp, viola and solo Soprano
Composed for the soprano María de los Llanos Martínez. First performance February the 21th, 2013. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2013 ‘Diabolus in delirio’ for Flute (piccolo), Clarinet in B flat, Trumpet in C, Accordion, Percussion, Piano, Violin, Viola and Violoncello. First performance January the 15th, 2013. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2012 ‘Abstractions’ for Clarinet in B flat, Duduk, English Horn, Santur, Erhu and Viola
Composed for the Atlas Ensemble. First performance September the first, 2012. Haintik Hall, Amsterdam
2012 ‘Intimidades’ for accordion and electronics.
First performance, June the fifth 2012. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2012 ‘Duo’ for Bass Clarinet en B flat, and Cello
2012 ‘Formas, texturas’ for Flute, Clarinet en B flat, Violín and Cello.
Premiered by the ‘Plural Ensemble’ in Seville in November the 11th, and also played in Zaragoza, Barcelona and Querétaro (Mexico)
2012 ‘Magma’ Quintet for Clarinet en B flat, Horn in F, Accordion, Viola and Double Bass
First performance February the 21st 2012. Auditorium Eduardo del Pueyo, Zaragoza, Spain
2011 ‘Extractos’ Trio for Clarinet en B flat, Cello and Piano
AUDIOVISUAL
2015 ‘Fluxfilm 19’ Anderson
Concrete Sounds Recordings (Grabaciones de sonidos concretos)
2015 ‘Augenblick 33’ Wiesinger
Duo for Bass Clarinet in Bb and Violoncello